Alfredo Cramerotti is a writer, curator and broadcaster. Director of MOSTYN Wales and Head Curator of APT–Artist Pension Trust, he complements his work in the UK with active participation in the visual art world. In recent years this has included curating Sean Scully: Standing on the Edge of the World at the Hong Kong Arts Centre (2018), Leviathan in conjunction with the 57th Venice Biennale (2017), EXPO VIDEO Chicago (2015), three national pavilions at the Venice Biennale (Mauritius in 2015, Wales and Maldives in 2013), and the biennials Sequences VII in Iceland (2015) and Manifesta 8 in Spain (2010).
Cramerotti is a Doctoral Researcher at the European Centre for Documentary Research, University of South Wales, and Visiting Lecturer at universities throughout Europe and the Americas. His scholarship involves the theory and practice of “The Hyperimage”, investigating digital culture’s impact on artistic and curatorial practices, and “Aesthetic Journalism”, addressing the relationship between contemporary art and interview, fiction and reportage. He is Editor of the Critical Photography book series and his own publications include Forewords: Hyperimages and Hyperimaging (2018), Unmapping the City: Perspectives of Flatness (2010) and Aesthetic Journalism: How to inform without informing (2009).